Keep the VRhythm Going: a Musician-Centred Study Investigating How Virtual Reality Can Support Creative Musical Practice

要旨

The acoustic and visual experiences of musicians in the spaces they perform in is complex and organic in nature, entailing a continuous interaction with the environment. With this project, we leverage the power of Virtual Reality (VR) to support musicians in their creative practice by transporting them to novel sonic and visual worlds. For this, we developed a musician-centered VR system, featuring various acoustic and visual virtual environments, VR Rehearse & Perform, based on design requirements gathered with musicians and performance experts. To investigate how VR can be designed to support music-makers in their creative musical practice, we performed iterative tests with 19 musicians followed by semi-structured interviews. Our findings suggest that VR has the potential to support different aspects of the creative musical practice such as rehearsing, performing and improvising. Our research provides insights and inspirations toward designing musician-centred VR experiences for a variety of musical activities.

著者
Sophia Ppali
University of the Arts, London, United Kingdom
Vali Lalioti
University of the Arts London, London, United Kingdom
Boyd Branch
Coventry University, Coventry, Midlands, United Kingdom
Chee Siang Ang
University of Kent, Canterbury, United Kingdom
Andrew J. Thomas
Royal College of Music, London, United Kingdom
Bea S.. Wohl
University of the Arts London, London, United Kingdom
Alexandra Covaci
University of Kent, Canterbury, United Kingdom
論文URL

https://dl.acm.org/doi/abs/10.1145/3491102.3501922

動画

会議: CHI 2022

The ACM CHI Conference on Human Factors in Computing Systems (https://chi2022.acm.org/)

セッション: Dance and Sound

291
4 件の発表
2022-05-03 23:15:00
2022-05-04 00:30:00