Depictions of Privacy Invasion and Surveillance in Artworks and Potential Lessons For Privacy Communication

要旨

User-facing communication about privacy (e.g., privacy policies, privacy tools' user interfaces) is frequently ignored and often ineffective. In contrast to these arguably staid interfaces, artworks often focus on provocation, engagement, and critical interpretation. For decades, artists have created privacy art—artistic media in galleries relating to the surveillance and privacy of individuals. What are artists saying about privacy, and how? Crucially, what lessons might they have for designing privacy-focused user interfaces? To this end, we compiled over 800 privacy artworks, qualitatively analyzing a sample. Common topics spanned artistic media (from paintings to immersive installations) and eras. Artworks built upon familiar concepts (e.g., cameras, homes) to speculate on society's future and present personal information (e.g., artist, viewer, public). We discuss lessons for making non-artistic privacy communication more engaging and powerful through directing attention (e.g., lighting, collage) and setting a tone (e.g., unsettling, fun, mundane).

著者
Tess Eschebach
University of Chicago, Chicago, Illinois, United States
Emma I. C.. Peterson
University of Chicago, Chicago, Illinois, United States
Nathaniel Kim
University of Chicago, Chicago, Illinois, United States
Bingning Liu
University of Chicago, Chicago, Illinois, United States
Marc Downie
University of Chicago, Chicago, Illinois, United States
Douglas Pancoast
School of the Art Institute of Chicago, Chicago, Illinois, United States
Blase Ur
University of Chicago, Chicago, Illinois, United States

会議: CHI 2026

ACM CHI Conference on Human Factors in Computing Systems

セッション: Enabling Private & Smart Architectures and Spaces

M2 - Room M211/212
7 件の発表
2026-04-17 18:00:00
2026-04-17 19:30:00