InfinitePaint: Painting in Virtual Reality with Passive Haptics Using Wet Brushes and a Physical Proxy Canvas

要旨

Digital painting interfaces require an input fidelity that preserves the artistic expression of the user. Drawing tablets allow for precise and low-latency sensing of pen motions and other parameters like pressure to convert them to fully digitized strokes. A drawback is that those interfaces are rigid. While soft brushes can be simulated in software, the haptic sensation of the rigid pen input device is different compared to using a soft wet brush on paper. We present InfinitePaint, a system that supports digital painting in Virtual Reality on real paper with a real wet brush. We use special paper that turns black wherever it comes into contact with water and turns blank again upon drying. A single camera captures those temporary strokes and digitizes them while applying properties like color or other digital effects. We tested our system with artists and compared the subjective experience with a drawing tablet.

著者
Andreas Rene. Fender
ETH Zürich, Zurich, Switzerland
Thomas Roberts
ETH Zürich, Zurich, Switzerland
Tiffany Luong
ETH Zürich, Zürich, Switzerland
Christian Holz
ETH Zürich, Zurich, Switzerland
論文URL

https://doi.org/10.1145/3544548.3580927

動画

会議: CHI 2023

The ACM CHI Conference on Human Factors in Computing Systems (https://chi2023.acm.org/)

セッション: AI for Visual Generation

Room Y05+Y06
6 件の発表
2023-04-26 20:10:00
2023-04-26 21:35:00