While it seems counterintuitive to think of degradation within an operating device as beneficial, one may argue that when rationally designed, the controlled breakdown of materials—physical, chemical, or biological—can be harnessed for specific functions. To apply this principle to the design of morphing devices, we introduce the concept of "Degrade to Function" (DtF). This concept aims to create eco-friendly and self-contained morphing devices that operate through a sequence of environmentally-triggered degradations. We explore its design considerations and implementation techniques by identifying environmental conditions and degradation types that can be exploited, evaluating potential materials capable of controlled degradation, suggesting designs for structures that can leverage degradation to achieve various transformations and functions, and developing sequential control approaches that integrate degradation triggers. To demonstrate the viability and versatility of this design strategy, we showcase several application examples across a range of environmental conditions.
https://doi.org/10.1145/3654777.3676464
The commonly used cut-and-sew garment construction process, in which 2D fabric panels are cut from sheets of fabric and assembled into 3D garments, contributes to widespread textile waste in the fashion industry. There is often a significant divide between the design of the garment and the layout of the panels. One opportunity for bridging this gap is the emerging study and practice of zero waste fashion design, which involves creating clothing designs with maximum layout efficiency. Enforcing the strict constraints of zero waste sewing is challenging, as edits to one region of the garment necessarily affect neighboring panels. Based on our formative work to understand this emerging area within fashion design, we present WasteBanned, a tool that combines CAM and CAD to help users prioritize efficient material usage, work within these zero waste constraints, and edit existing zero waste garment patterns. Our user evaluation indicates that our tool helps fashion designers edit zero waste patterns to fit different bodies and add stylistic variation, while creating highly efficient fabric layouts.
https://doi.org/10.1145/3654777.3676395
Sustainable fabrication approaches and biomaterials are increasingly being used in HCI to fabricate interactive devices. However, the majority of the work has focused on integrating electronics. This paper takes a sustainable approach to exploring the fabrication of biochemical sensing devices. Firstly, we contribute a set of biochemical formulations for biological and environmental sensing with bio-sourced and environment-friendly substrate materials. Our formulations are based on a combination of enzymes derived from bacteria and fungi, plant extracts and commercially available chemicals to sense both liquid and gaseous analytes: glucose, lactic acid, pH levels and carbon dioxide. Our novel holographic sensing scheme allows for detecting the presence of analytes and enables quantitative estimation of the analyte levels. We present a set of application scenarios that demonstrate the versatility of our approach and discuss the sustainability aspects, its limitations, and the implications for bio-chemical systems in HCI.
https://doi.org/10.1145/3654777.3676448
Within the domain of fabrication, the recent strides in Fused Deposition Modeling (FDM) have sparked growing interest in its sustainability. In this work, we analyze the contemporary life cycle of polymers consumed in FDM, a common and accessible fabrication technique. Then we outline the points of design intervention to reduce wasted polymers in fabrication. Specifically, we discuss the design intervention of Filament Wiring, a set of hybrid craft techniques to promote sustainable prototyping and robust applications by highlighting left-over filaments. Our techniques aim to enhance the understanding of filaments as a unique material for hybrid fabrication, fostering creativity. Through our computational design system, end users can generate 3D printable frames, for exploring the possibilities of filament-based fabrication beyond 3D printing. We hope to provoke thought about filament as its own form of material, having capabilities to be made, unmade, and remade repeatedly into various artifacts. With this outlook, we discuss future research avenues, and urge makers and practitioners to value material in any form, quantity, or stage of its life cycle.